Graveyard Shift Sister: Meosha Bean

To expand my series of interviews with Black women horror writers, I’ve added a few filmmakers to the list.

My first director is Meosha Bean, an award-winning filmmaker who has over a dozen horror projects to her name, including Dark Rises (2103), Too Close to Home (2012), a crime documentary based on true events, and Miss Pepper (2014), which got over 30,000 hits in one week online.

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Meosha Bean in Dark Rises

On top of that, Meosha has acting, music videos, and promotional work on her list of credits. She’d one of the even directors for the 7 Magpies project, a horror film anthology that is the first of its kind: written and directed by black women.

She’s also worked with some big names like pro boxer Roy Jones, designer Ron Bass, and music superstar Billy Idol.

Check out my chat with Meosha here.

Heliodor: A Cover Reveal

Helidor is a Steampunk fantasy mystery by Shannon Wendtland coming soon from Mocha Memoirs Press.

COVER:

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BLURB:

Malfric sees through the eyes of the dead – literally reliving their last moments as if they were his own. This ability is highly sought and highly priced, which is why the unscrupulous Captain Finch hires him to find the murderer of a nobleman and the whereabouts of a valuable artifact.

Quantex, the able-bodied first mate of Captain Finch, quickly becomes Malfric’s foil as he demonstrates uncommon intelligence during the investigation. Together the two uncover several clues that lead them to the killer, the artifact, and the frayed end of a mysterious plot that begins to unravel the moment Malfric takes it in hand and gives it a good yank.

AUTHOR BIO:

Shannon is a wife, mother, writer, database administrator and general pot-stirrer-turned-mystic. Find her on Facebook and on Twitter.

Heliodor will be released on March 22 from Mocha Memoirs Press.

Eidolon Avenue-The First Feast: A Review

I love short stories. Anyone who’s read this blog has likely heard me say that before. I read a great deal of anthologies. For me, even better is the single author collection. It gives me the voice and style of one author, but typically will get multiple settings and characters to enjoy.

For several years, it has been rare to find a single author collection of stories, as many publishers weren’t accepting them in submissions. Thankfully, that is changing.

Case in point, is Crystal Lake Publishing. They’ve recently released a single author horror collection titled, Eidolon Avenue: The First Feast by Jonathan Winn. Turns out this is the collection that keeps on giving. Eidolon Avenue is where a decrepit apartment building stands. Within those mired walls there are stories. Twenty-five to be exact. Five floors, five rooms per floor. The First Feast tells the first five tales.

From the cover, you’d never know this was a collection of five stories by the same author. Perhaps that is by design, as some readers of horror may not be on my wavelength of loving the short form of horror. In truth, these are five short novellas put together in one. The characters in each story are unrelated; the only thing connecting them is that they all live in that rundown, seen better days apartment building on Eidolon, which holds its own secret evil.

When Crystal Lake asked if I would review this collection, the publisher was careful to tell me as a female reviewer that one of the stories contained descriptions of sexual assault and would I skip it if it made me feel more comfortable. I appreciated the notification of the trigger warning and I did indeed skip one of the stories. However, I was reading this on an eReader, so I couldn’t help but see a few words here and there as I forwarded through the document. From those words, the trigger warning is well founded.

Eidolong Avenue

As with many anthologies and collections, the best stories in Eidolon are the bookends—the first and the last. I’ll comment on both of them.

“1A: Lucky” is an incredibly strong story to begin this book. It is an epic tale in and of itself, excluding the rest of the book. Rich in emotion, cultural mores, and soaked in Eastern magic and ghost stories. I loved this story. Lucky, a young girl, is anything but. She lives in squalor, cleaning and scrubbing for Madame. Each servant girl who shoes her any kindness mysteriously disappears after being called to a meeting with Madame.

Soon, it is Lucky’s turn to be called. During a ritual, Lucky chooses to accept a shadowy being into her soul. Surely, being strong and invincible is what a girl who has been a servant all her life would want, isn’t it? And she gets it, with disastrous results. Lucky soon grows into the most feared assassin around. But the shadowy power is growing too, and it wants payment for its services.

The final story “1E: Umbra” is also powerful and poignant. I have a hard time choosing which story is my favorite. Our protagonist is a young orphaned girl sent to live with her Grandmother, a hard-smoking shell of a woman whose only words are chosen to scathe and cut.

Umbra is left to fend for herself, existing on cheese sandwiches as most of the money the Grandmother keeps for her own purposes. In her room, she finds a small brown spot on the wall and she befriends it: talking to it daily, sharing her hurts, her pains, and her hopes.

The spot grows larger, and grows sentient as Umbra’s only confidante. But what is the brown spot? And how does it help Umbra with her problematic Grandmother or is it all her own doing? I loved the final reveal of this story. It was somehow horrific and satisfying as an ending to a visceral, visual collection. This was beautiful horror: an outcast and a creature story in one.

Maybe as a woman, the two female protagonists spoke to me more, but I agreed with whoever decided to place these stories and bookends. This collection is worth it for these two tales alone. I’ll certainly be on the lookout for the remainder of Winn’s collection of stories from Eidolon Avenue.

 

2016 Spider’s Web Flash Fiction Prize

Today is International Women’s Day and as such, I want to mention a flash fiction contest sponsored by Spider Road Press.

Spider  Road Press is an indie, women-owned publisher based out of Houston, Texas, with a focus on publishing and promoting fiction by and/or about strong women. From their website:

We at Spider Road Press believe that good writers can do good in the world.

5% of the proceeds from all Spider Road Press titles are donated to charities which address the issues of sexual assault, supporting American veterans, empowering youth and fighting hunger at home and abroad.

UpDo

Spider Road Press is once again celebrating excellent, unpublished flash fiction featuring a female protagonist. Enter your compelling flash fiction about complex women to win the 2016 Spider’s Web Flash Fiction Prize!

First Prize: $100, publication in the print and e-book editions of an upcoming Spider Road Press book, and a free copy of one book by each of our judges.

Second Prize: $25, publication in the print and e-book editions of an upcoming Spider Road Press book, and a free copy of one book by each of our judges.

Third Prize: $10, publication on the Spider Road Press website, and a free copy of one book by each of our judges.

Honorable Mentions (Two): publication on the Spider Road Press website, a certificate, and a free copy of one book by each of our judges.

2016 Judges: Author Kathryn Kulpa and Author Eden Royce (That’s me!)

The submissions period is from February 15th– April 15th, 2016.

Head over to the Spider Road Press website for submissions criteria. Give the flash fiction contest a try and support writing by and about strong women!

Dem Bones: A Primer on Southern Conjure

I can’t believe I didn’t blog about the first article I wrote for Dirge, the smart, sexy, darkly funny culture magazine. I must have been overwhelmed by the response (and the exhaustion from juggling so many projects).

It was published on February 23, during Women in Horror month. So glad it was too, so that I could share the work of some amazing Black women who write horror.  Some you may have heard of, others maybe not so much, but I’m sure you’ll find something to suit your tastes. If you haven’t  already seen that article, read it here and add something to your bookshelf.

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Kneeling bookshelves by Samal DesignBeautiful

But, this week, I have a new article up with Dirge about the origins of Southern conjure magic. What is Southern conjure magic? I’m so glad you asked.

Wander over to Dirge magazine and have a look. There’s a bit of background on the origins of the practice, its evolution, and a few basics on ingredients and techniques. And a surprise or two for the curious.

Thanks to Dirge for picking up these article from me and for welcoming me into the folds of its dark cloak.

 

 

 

 

 

 

Misconceptions About Southern Conjure Magic

Including conjure magic in your story? Take a look here first.

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                           Misconceptions About Southern Conjure Magic

         by Eden Royce

        Conjure magic is a catchall term for folk magic. Those of you who, like me, played Dungeons and Dragons, may be familiar with the term “hedge magic”. Popular culture, movies and certain books, would have you believe that this type of magic is evil, and that you should flee at any cost. I’m reminded of a horror writer Facebook group I was in where a person shared an idea for a novel:

        Police officers kill a young black guy and the cop gets off for the crime. Then his grandfather does hoodoo voodoo on the cops for revenge. It gets really bloody by the end. Several people commented on what a great idea this was. Um.

One: It’s been done.

Two: Hoodoo is not voodoo.

Three: Murder is not the…

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Women in Horror Month 2016 – Featured Author: Eden Royce @EdenRoyce #WiHM7

Thanks for featuring me, Nina! It was a pleasure.

Spreading the Writer's Word

Eden Royce

Bio: Eden Royce is descended from women who practiced root, a type of conjure magic in her native Charleston, South Carolina. She now lives in Kent, The Garden of England, and writes Gothic horror and dark fantasy tales based on her childhood (and a few weird dreams). Featured in her work are the language and traditions of the Gullah-Geechees, descendants of the first slaves brought to the sea islands off the coast of South Carolina and Georgia.

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Eden is one of the writers for The 7 Magpies project, a first of its kind: a short horror film anthology written and directed entirely by black women. She is also the horror submissions editor for Mocha Memoirs Press where she conceived and edited The Grotesquerie, an anthology of twenty-one horror short stories written by women. She also writes a regular feature for Graveyard Shift Sisters, a site dedicated to purging the black female horror fan from the margins, where she…

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