I’ll be interviewed on Deadly Reads Radio with Linda and Lisa on Wednesday, but you won’t need to stay up. They’re doing a special show to accommodate my time zone. If you’re around at 4:00 pm Eastern, I’d love to have you call in!
Feel free to ask me Southern Gothic horror is or what work I have coming out or my recommended reads for those lovers of the grotesque. I’m even open to chatting about recipes, local eerie legends, and what the heck a Charleston girl is doing in the United Kingdom.
Once the show starts, you can call in to speak with the horror hostesses: (646) 668-2716
It’s been a busy year for me, full of amazing experiences. I managed to get my short story collection Spook Lights: Southern Gothic Horror out this year, but I wasn’t sure I’d be able to get anything else out.
But I have!
I’m happy to announce that my short horror story “Basque of the Red Death” is in the multi-genre anthology Cinched: Imagination Unbound available now from Falstaff Books. (And it’s the first story in the antho!)
This collection runs the gamut from steampunk to horror, from steamy romance to weird western, from victorian thriller to contemporary bondage. But they all feature the corset in some way.
My story was inspired by Poe’s classic short story “Masque of the Red Death”, but I’ve set the tale in the South and given it a few additional horrors. If you haven’t read Poe’s original tale, read it for free here.
Then check out Cinched: Imagination Unbound on Amazon for some twisted tales.
Featuring stories by:
John G. Hartness
Gail Z. Martin & Larry N. Martin
Emily Lavin Leverett
Sarah Joy Adams
Eden Royce <–That’s me!
I’m honored to announce that Blerd Book Club’s October Book of the Month is my short story collection, Spook Lights: Southern Gothic Horror! Squee!!!
I’ll be chatting about the collection on Twitter this Sunday at 3 CST. My inspirations, my inclusion of the Gullah language and Geechee culture, and conjure magics. Even if you haven’t read it yet, stop by and say hello. Or better yet, pick up a copy here first.
The Blerd Book Club is many minds wrapped around a good book. It is a book club for blerds, nerds, bleeks, and geeks to discuss, review, and reflect on the books they love. Find out more about Blerd Book Club (and maybe join!) on Goodreads here.
Join me on Sunday, November 1 at 3pm CST (4pm EST) as I chat with Thelonious Legend and Constance Burris about Spook Lights. If you’d like to join the discussion, or ask me questions about the book, use #BlerdBookClub on Twitter.
Whenever I do an interview and review for the Graveyard Shift Sister website, I also post it here in case there’s someone who follows my blog, but isn’t connected to me on Facebook or Twitter.
Since the last post was about me, I’d neglected to do that.
While I have no issue singing the praises of other authors, I have a hard time promoting my own work. A part of me feels like it’s tooting my own horn and I should be more modest. But blogs and books on writing (and my advice to other authors) state you must get over that.
It takes a lot for me to go against my natural tendencies and promote myself and my work. Thankfully, the super talented Sumiko Saulson was willing to help. Sumiko interviewed me via telephone and it was great to be able to chat about writing, trends in horror and my own inspirations.
It is finally here! Seems so long since I’ve posted about my own book release. This one is especially close to my heart as it is a collection of Southern Gothic horror short stories inspired by my hometown of Charleston, South Carolina.
Not familiar with Southern Gothic? It’s a genre of Gothic fiction unique to American literature set in the American South. (Although I’ve taken a few liberties…) Commonly featured are characters who may dabble in hoodoo and conjure magic–like my great-aunt. Other characters practice more devious or violent acts. But all of them are deeply flawed, disturbed or eccentric characters. Much of Southern Gothic focuses on the macabre and grotesque. Maybe that’s why I love the genre.
It isn’t all foreboding haunted plantations, either. Also featured are warped rural–and sometimes urban–communities that reflect the morals, or lack thereof, of the South and showcase sinister events relating to poverty, alienation, racism, crime, and violence.
Southern writers in particular are said to craft a strong sense of place, where the setting itself becomes a character and the human characters may be tied to those places. That’s what I hope I’ve done with this collection. Here’s the back cover copy:
Pull up a rocking chair and sit a spell. Soak in these tales of Southern Gothic horror:
Sinister shopkeepers whose goods hold the highest price, a woman’s search for her mother drags her into the binding embrace of a monster, a witchdoctor’s young niece tells him a life-altering secret, an investigator who knows how to keep a 100% confession rate….
These are stories where the setting itself becomes a character—fog laced cemeteries, sulfur rich salt marshes—places housing creatures that defy understanding and where the grotesque and macabre are celebrated.