Graveyard Shift Sister: Me!

Whenever I do an interview and review for the Graveyard Shift Sister website, I also post it here in case there’s someone who follows my blog, but isn’t connected to me on Facebook or Twitter.

Since the last post was about me, I’d neglected to do that.

While I have no issue singing the praises of other authors, I have a hard time promoting my own work. A part of me feels like it’s tooting my own horn and I should be more modest. But blogs and books on writing (and my advice to other authors) state you must get over that.

Gretchen Palmer in the Tales from the Crypt episode "Ear Today, Gone Tomorrow".
Gretchen Palmer in the Tales from the Crypt episode “Ear Today, Gone Tomorrow”.

It takes a lot for me to go against my natural tendencies and promote myself and my work.  Thankfully, the super talented Sumiko Saulson was willing to help.  Sumiko interviewed me via telephone and it was great to be able to chat about writing, trends in horror and my own inspirations.

Read the entire Graveyard Shift Sisters interview with me here.

Spook Lights: Southern Gothic Horror — A Release

It is finally here!  Seems so long since I’ve posted about my own book release.  This one is especially close to my heart as it is a collection of Southern Gothic horror short stories inspired by my hometown of Charleston, South Carolina.

The final cover for Spook Lights. Man, this went through about seven versions...
The final cover for Spook Lights. Man, this went through about seven versions…

Not familiar with Southern Gothic?  It’s a genre of Gothic fiction unique to American literature set in the American South. (Although I’ve taken a few liberties…) Commonly featured are characters who may dabble in hoodoo and conjure magic–like my great-aunt. Other characters practice more devious or violent acts. But all of them are deeply flawed, disturbed or eccentric characters. Much of Southern Gothic focuses on the macabre and grotesque. Maybe that’s why I love the genre.

It isn’t all foreboding haunted plantations, either. Also featured are warped rural–and sometimes urban–communities that reflect the morals, or lack thereof, of the South and showcase sinister events relating to poverty, alienation, racism, crime, and violence.

Southern Gothic isn't all marshes and haunted plantations, but sometimes, it is.  I took this picture at my last family reunion.
Southern Gothic isn’t all marshes and haunted plantations, but sometimes it is.
I took this picture at my last family reunion.

Southern writers in particular are said to craft a strong sense of place, where the setting itself becomes a character and the human characters may be tied to those places. That’s what I hope I’ve done with this collection. Here’s the back cover copy:

Pull up a rocking chair and sit a spell. Soak in these tales of Southern Gothic horror:

Sinister shopkeepers whose goods hold the highest price, a woman’s search for her mother drags her into the binding embrace of a monster, a witchdoctor’s young niece tells him a life-altering secret, an investigator who knows how to keep a 100% confession rate….

These are stories where the setting itself becomes a character—fog laced cemeteries, sulfur rich salt marshes—places housing creatures that defy understanding and where the grotesque and macabre are celebrated.

Pick up a copy for Kindle on Amazon US, Amazon UK or a paperback copy on Lulu.