Day 4: Linda D. Addison

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Linda D. Addison is a poet and writer of horror, science fiction, and fantasy currently living in Arizona. In 2001, she became the first African-American to win the HWA Bram Stoker award® for superior achievement in poetry for Consumed, Reduced to Beautiful Grey Ashes. She has since won the award three additional times, including one for her poetry and short story collection How to Recognize a Demon Has Become Your Friend (2011).

Addison has also published over 300 poems, stories, and articles for such publications as Essence Magazine and Asimov’s Science Fiction. Ms. Addison is a founding member of the writer’s group, Circles in the Hair (1990) and is the poetry editor for Space & Time Magazine.

She is also one of the editors for Sycorax’s Daughters, an anthology of horror fiction and poetry written by black women.

In her collection How to Recognize a Demon Has Become Your Friend, her poetry is moody and melodic; the meter weaves a dimly lit path and you feel compelled to follow. The verse itself is seductive, almost playful—the picture of elegant disturbia. The prose included in the book is a combination of sub-genres, and you get a taste of homespun magic along with science fiction-laced Gothic horror. Buy it here.

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For more information about Linda, such as her full bibliography and schedule of events, please visit her website or follow her on Twitter.

 

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Sycorax’s Daughters: A Release and an Appearance

Sycorax’s Daughters the Horror Anthology of fiction & poetry by African-American women, edited by Kinitra Brooks, PhD, Linda D. Addison & Susana Morris, PhD is coming February 2017 from Cedar Grove Books.

In June 2015, editors Brooks and Addison contacted African-American women authors–including me–and poets based on their creative talents in writing about women, race, sexuality, and/or speculative fictions, asking them to consider the vast possibilities that interweaving black women and horror can express.

Brooks, Addison, and Morris are of the contention that peoples of the African diaspora encounter elements of horror on a weekly or even daily basis. Each week, millions of black folks go to church or religious practice and are possessed by the Holy Ghost or ridden by the orishas and loas—what is this if not an Africanized manifestation of spirit possession, a common horror trope?

Sycorax’s Daughters is an opening salvo of what is hoped to be a burgeoning field of black women’s creative horror fiction. There are also plans for a companion volume of new critical horror scholarship by black feminist scholars.

Thought provoking, powerful, and revealing, this anthology is comprised of 28 dark stories and 14 poems written by African American women writers. Tales of what scares, threatens, and shocks them will enlighten and entertain readers. The works delve into demons and shape shifters from the historical to far future imaginings. These pieces cover vampires, ghosts, and mermaids, as well as the unexpected price paid by women struggling for freedom and validation in the past.

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Contributors include: Tiffany Austin, Tracey Baptiste, Regina N. Bradley, Patricia E. Canterbury,  Crystal Connor, Joy M. Copeland, Amber Doe, Tish Jackson, Valjeanne Jeffers, Tenea D. Johnson,  R. J. Joseph, A. D. Koboah, Nicole Givens Kurtz,  Kai Leakes,  A. J. Locke, Carole McDonnell,  Dana T. McKnight, LH Moore, L. Penelope, Zin E. Rocklyn, Eden Royce, Kiini Ibura Salaam, Andrea Vocab Sanderson,  Nicole D. Sconiers,  Cherene Sherrard,  RaShell R. Smith-Spears,  Sheree Renée Thomas, Lori Titus, Tanesha Nicole Tyler, Deborah Elizabeth Whaley, L. Marie Wood, K. Ceres Wright, Deana Zhollis

Sycorax’s Daughters is now available for pre-order on Amazon. Several in person events are planned for this important release, including the book’s debut at Atlanta’s Auburn Avenue Research Library on February 25th March 18th from 2:00 pm to 5:00 pm. I’ll be there, along with I won’t be able to make it, but you can chat with many of the other authors and editors who’ll be there to sign books and speak about the project.